Album: V/A – Messthetics Greatest Hiss. Classics of UK Cassette Culture DIY 1979-1982 Volume 1 (Hyped 2 Death 110 2008)

hiss

Jasper’s Got a Wife didn’t last long – one summer afternoon in fact. In that time, the quartet of school friends knocked up enough improvised material to create a mini cassette album of wayward songs and dogged experimentation. Copies were made and a badly hand drawn sleeve was done, and the thing was distributed to a few open minded folk – maybe a dozen copies in all. Who knows if any survive. I certainly don’t have one, even though I was the group’s percussionist, short-wave radio operator and one of the singers.

Up and down the country, it was a scenario replayed thousands of times. ‘Musicians’ with varying degrees of competence and commitment were putting together collections of original material, recorded in the most basic manner possible and distributed amongst friends, by mail order or very rarely through shops and established networks.

Messthetics Greatest Hiss takes us back to that time when cheap technology sounded like it and home recording was necessarily primitive, but nobody let that stop them. Compared to some of the music on this compilation, the acts featured on the main series covering DIY sevens are positively slick.

This stuff might be resolutely lo-fi, but there’s a real spirit about a lot of the material represented. Touchstones that pop up regularly are acts like the Fall, PIL, ATV, Television Personalities and most frequently early Cabaret Voltaire. Singers deliver their lines in voices ranging from earnest, flat declamations to wobbly harmonising. Songs range from quirky pop to doomy sixth form poetry about nuclear annihilation and the Big Brother state. What holds it all together is a zestful enthusiasm. Influences are often obvious, but none of these acts are slaves to them.

Surprisingly, even after a few listens, there’s nothing on here that I felt the need to skip. Some tracks aren’t particularly memorable. Others, though, have an instant hook factor, albeit often a very simple one. Danny and the Dressmakers’ “Kif Kif’s Magic Hat” is little more than a two note bass line with a group chant over the top, but it’s got a rhythm to it that sticks without getting dull. Cultural Amnesia’s offering is much more elaborate – a sort of punk-tempo Suicide with added blasts of screeching fuzz guitar. Most of the songs lie somewhere between the two.

Selected highlights include the Proto-Pulp sounding Instant Automatons, Colin Potter’s Wire-ishness, Gravity Craze’s weird fusing of the Cabs and the Cramps and the tribal drums and organ of the Event Group. This isn’t a broad overview of the DIY tape culture of the late seventies and early eighties. The emphasis is on songs, and there is a general post-punk slant to everything. No examples, therefore, of the more extreme noise experiments that were going on, no bedroom electronica, no straight punk. It does help the album hang together better. It’s far from being just an academic exercise in archiving, but a stimulating and entertaining musical journey. Now if only I had a copy of that Jasper’s Got a Wife tape – we could have been on volume two!

Tracks
1 Jelly Babies – Soylent Green
2 391 – Jet Plane
3 Instant Automatons – Gillian Is Normal
4 Event Group – Concussion (Edit)
5 Missing Persons – Sign Of The Times
6 Danny And The Dressmakers – Eggs On Legs
7 Gravity Craze – Song For M
8 Farming Jim – Cats In The Kitchen
9 Chromosomes – Hi Fi Know How
10 Mike Jones – Reckless Policies
11 Living Dead No. 5 – Never Give In
12 Storm Bugs – Car Situations (Nasal Passage)
13 Colin Potter – Power
14 Digital Dinosaurs – Baby Snakes
15 Twizlers – We Are The Twizlers
16 Casual Labourers – A Lapse Is Due
17 Midnight Circus – Suburbia Nervosa
18 Aconite – The Truth About Cable
19 Milkshake Melon – Walk Oates Walk
20 Cultural Amnesia – Repetition For This World
21 The Get – The Leaders
22 Stripey Zebras – Walking Home
23 Funhouse – Teenage Boredoms
24 Danny And The Dressmakers – Kif Kif’s Magic Hat
25 Chimp Eats Bananas – Shopping List

MP3 Bonus Tracks
Chromosomes – Rot All Rulers
Dean Johnson – Another Letter
Digital Dinosaurs – Elephant Germs
Farming Jim – Newyears Eve 83
Jelly Babies – Candy Bricks

Website
www.hyped2death.com

The curse of the micro-genre

I’ve been listening to dance music in its various forms since the last days of disco, but have never been a fully paid up scenester. Always a bit of a naif in attitude, I like what I like ’cause I like it, and I’ve no particular interest in what it’s defined as, or what particular scene it emerges from. The nearest I came to being immersed in any one genre was in the mid nineties when I caught the jungle bug big style, and went through a period hoovering up Moving Shadow twelves as well as other stuff by the likes of Source Direct, Photek and the various Reprazent chaps.

Even back then, things kept splintering into ever more confusing sub-genres. Artcore, darkcore, and then the two step thing which was as much garage as it was drum and bass. Debates would rage about which way the scene was moving, this way or that. It all began to smack of elitism and crass one-upmanship.

I would argue that electronic / dance music is now healthier than it has been at any time since the nineties, with loads of interesting and original tunes emerging. But again, the curse of the micro-genre is here to confuse anyone who doesn’t spend half their waking hours glued to underground radio or in the most happening clubs. Simon Reynolds, bless his socks, is one of our finest music writers, but some of his latest missives on the subjects of funky, wonky and donk just make me want to shout STOP! This is getting silly. OK, Reynolds is just reporting what is there, but just how many sub-genres can you carve out of the basic garage block? This is Balkanisation gone mad.

What’s struck me over the last year or so is that many of the very best broadly electronic albums that I’ve got to hear have been completely oblivious to or even contemptuous of musical boundaries. The recent Harmonic 313 effort, for example, gleefully leaps from scene to scene, appropriating whatever feels, well, appropriate. The result is a collage of ideas that determinedly pokes out its tongue at the style police.

For me, this is how you take music forward. Take old ideas, blend them in a way that’s original and, perhaps, stick a cherry on top in the form of something brand new. Micro-genres are too hidebound by rules – the tighter the definition of what is or isn’t to be classified in a particular box, the less room for manoeuvre there is to make something truly new. I guess that could be said about any field of the arts.

Album: EYES FLUTTER BENEATH – Inside the Dream Laboratory (Phantom Channel PHCH007 2009)

eyb1

It’s all about sleep and dreams. If that wasn’t blindingly obvious by the name of the artist, album and track titles, then it would certainly be after giving the music a listen.

Eyes Flutter Beneath is the chosen moniker of one Harry Towell who has also recorded as Audio Gourmet. He describes his latest music as bio-drone. It’s certainly music whose function is clearly defined. The five tracks that make up Inside the Dream Laboratory are quiet and generally consist of gently unfolding drones or waves of faint and distant synth. In the foreground there are various field recordings, but these have been filtered out until they are mere memories of sound.

The fifth and final track has a slightly ominous hum to it, and some barely audible metallic creaking. It almost feels like it’s something deliberately planted to unnerve the (by now) unconscious mind.

The recommendation is to play the album at low volume. The first time I played it I did. Weirdly, I thought it was still going long after it had finished – somehow the drones had become subconsciously imprinted on to my synapses and were continuing to play. That was slightly spooky.

This might be just too minimal for many, but it succeeds admirably to do what it sets out to. Inside the Dream Laboratory is available as a free download from Phantom Channel (link below).

Tracks
1 Six Years Dreaming 7:43
2 Melatonin 7:57
3 Slow Waves 10:49
4 Randomly Firing Neurons 6:42
5 Strewn Fragments of Thought 7:05

Websites
www.myspace.com/eyesflutterbeneath
www.phantomchannel.co.uk

A Few Forthcoming Releases (March 2009)

Usual caveats apply – date given is the Monday, not necessarilly the actual day of release.

2nd Mar
ARVO PÄRT – In Principio (ECM)
CORY ALLEN – The Fourth Way (Quiet Design)
DURUTTI COLUMN – Love in the Time of Recession (Artful)
FAUST – C’est Com… Com… Complique (Bureau B)
GRANDMASTER FLASH – The Bridge (Strut)
MARISSA NADLER – Little Hells (Kemado)
NEKO CASE – Middle Cyclone (Anti)
ORKA – Livandi Oyoa (Ici d’Ailleurs)
SVARTE GREINE – Kappe (Type)
THIRTEENTH ASSEMBLY – (Un)sentimental CD (Important)
VARIOUS – Complete Motown Singles Volume 11b (USA) (Hip-o-Select)

9th Mar
DOLLBOY – A Beard of Bees (Static Caravan)
JONO EL GRANDE – Neo Dada (Rune Grammofon)
LAND OF KUSH – Against the Day (Constellation)
MY BLOODY VALENTINE – Isn’t Anything / Loveless remasters (Sony)
SUBTRACTIVELAD – Where the Land Meets The Sky (N5MD)
TENNISCOATS – Temporacha (Room 40)
TIM HECKER – An Imaginary Country (Kranky)
WOUNDED KNEE – Shimmering New Vistas (Benbecula)

16th Mar
AGF / DELAY – Symptoms (Bpitch Control)
BAJA – Aether Obelisk (Other Electricities)
BELMEZ – Aparaciones (Acuarela)
BLACK LIPS – 200 Million Thousand (Vice)
BONNIE PRINCE BILLY – Beware (Drag City)
KID CONGO & THE PINK MONKEY BIRDS – Dracula Boots (In The Red)
LAWRENCE ENGLISH – A Color for Autumn (12K)
SEAWORTHY – 1897 (12K)
TIM EXILE – Listening Tree (Warp)
YVES DE MEY – Lichtung (Line)

23rd Mar
D’AGOSTINO / FOXX / JANSEN – A Secret Life (Metamatic)
FRIDGE – Early Output 1996-1998 (Temporary Residence)
KLAUS SCHULZE – La Vie Electronique I (Revisited)
KLAUS SCHULZE – La Vie Electronique II (Revisited)
MONO – Hymn to the Immortal Wind (Temporary Residence)
PET SHOP BOYS – Yes, etc (Parlophone)
ROYKSOPP – Junior (Wall of Sound)

30th Mar
AIDAN BAKER / THISQUIETARMY – A Picture of a Picture (Killer Pimp)
GLEN JOHNSON – Details Not Recorded (Make Mine Music)
LEONARD COHEN – Live in London (Sony)
NEIL YOUNG – Fork in the Road (Reprise)
ZEROVA – I Think We’ve Lost (Herb)

6th Apr
BAT FOR LASHES – Two Suns (EMI)
CRYSTAL ANTLERS – Tentacles (Touch & Go)
DOVES – Kingdom of Rust (EMI)
FLOWERS OF HELL – Come Hell or High Water (Benbecula)

13th Apr
BILL CALLAHAN – Sometimes I Wish I Were An Eagle (Drag City)
MONKS – Black Monk Time remaster (Repertoire)
SKYTREE – Windings of the Dragon Track (Herb)

20th Apr
CAMERA OBSCURA – My Maudlin Career (4AD)

27th Apr
HAROLD BUDD / CLIVE WRIGHT – Candylion (Darla)
KINGBASTARD – Tied Up to Machines (Herb)

4th May
ST VINCENT – Actor (4AD)

18th May
CLUES – Clues (Constellation)
MY LATEST NOVEL – Deaths and Entrances (Bella Union)

Album: HARMONIC 313 – When Machines Exceed Human Intelligence (Warp WARPCD175 2009)

harmonic313

Mark Pritchard’s been around the block a few times. He’s had a finger in most of the electronic pies over the last two decades: from the lush ambience of Global Communication and the rich IDM of Reload to the Latin-tinged breakbeat of Troubleman and the electro of Jedi Knights. Harmonic 313 is a mere number away from his work with Dave Brinkworth as Harmonic 33, but the new album is radically different to the radiophonic jingles and queasy-listening melodies of that project.

There are some similarities. The love affair with obsolete technology and arcade melodies remains undimmed. When Machines Exceed Human Intelligence is a real jumble of ideas and styles that mashes up almost half a century of electronic music history. At first it resembles a mad, almost random, compilation tape. It’s eclecticism taken to extremes. And yet there is a thread of sorts that runs through it, although it’s difficult to pin down what exactly that is.

Some tracks do resemble pastiches. “Flaash” is acid house with a wry nod to Joey Beltram whilst “Cyclotron” is old school electro. Both are unashamedly retro, but are still excellent examples of their respective genres. Elsewhere, things are a mix of old and new. Opener “Dirtbox” is a bass heavy dubstep monster that has a late eighties acid squelch and time-stretched ragga vocal samples straight out of early 90s jungle. “Galag-A” has a tottering dubstep rhythm with bubbleblaster backbeats and a Boards of Canada melody line. “Call to Arms” is home to a floorquaking sub-bass that would probably melt most club sound systems.

The sounds of old arcade games, the world of the ZX Spectrum and Commodore 64 home computers and early electronic toys like Speak ‘n’ Spell are all tossed cheerfully into the cauldron. There’s minimal dub, modern r&b and rap, and buzzy seventies synths. It probably reads like a mess, but it all somehow works. Apart from the three short skits, every track has a lot to recommend it. “Köln” is quite lovely, but definitely sounds familiar, and “Quadrant 3” seems to evolve from primitive electro to lush ambience during the course of its six minutes.

There’s a nice touch to the sleevenotes, too. They contain the transcript of a lecture on AI, purportedly given at Michigan State College of Digital Technology in 1985 and entitled “Creative Artificial Intelligence in a Post-Singularity Society”. It’s convincing – but then I noticed the name of the professor behind it. Hannrod Berk – Judith Hann, Michael Rodd and James Burke? Type ‘em into Wikipedia if you don’t remember them. It encapsulates both the playfulness and the loving attention to detail that Pritchard’s bestowed on this clever and highly rewarding album.

Tracks
1 Dirtbox (4:29)
2 Cyclotron (4:42)
3 No Way Out (4:22)
4 Music Substitute System (0:43)
5 Köln (3:46)
6 Galag-A (3:36)
7 Word Problems (5:24)
8 Battlestar (3:04)
9 Cyclotron C64 SID (1:08)
10 Call To Arms (4:35)
11 Flaash (6:38)
12 Don’t Panic (4:43)
13 Falling Away (4:16)
14 When Machines Exceed Human Intelligence (0:31)
15 Quadrant 3 (6:05)

Website
www.myspace.com/officialmarkpritchard