I’m not dead and I haven’t completely abandoned this blog, but I’ve had little time to write anything and it’s just kind of slid for nearly three months.
To be honest, I’ve no idea whether it will be resurrected or abandoned in 2011 or re-emerge in some other form.
Anyway, for now here’s my top twenty of twentyten.
1. SHACKLETON – FABRIC 55 (FABRIC)
2. JOANNA NEWSOM – HAVE ONE ON ME (DRAG CITY)
3. STRAY GHOST – NOTHING BUT DEATH (HIDDEN SHOAL)
4. AUTECHRE – OVERSTEPS (WARP)
5. BJ NILSEN – THE INVISIBLE CITY (TOUCH)
6. FLYING LOTUS – COSMOGRAMMA (WARP)
7. THEE SILVER MT. ZION MEMORIAL ORCHESTRA – KOLLAPS TRADIXIONALES (CONSTELLATION)
8. BLACK DOG – MUSIC FOR REAL AIRPORTS (SOMA)
9. AUTECHRE – MOVE OF TEN (WARP)
10. KINGBASTARD – BEAUTIFUL ISOLATION (HERB)
11. NATIONAL – HIGH VIOLET (4AD)
12. GIL SCOTT-HERON – I’M NEW HERE (XL)
13. SLOW SIX – TOMORROW BECOMES YOU (WESTERN VINYL)
14. PAN SONIC – GRAVITONI (BLAST FIRST PETITE)
15. MAX RICHTER – INFRA (130701)
16. CLOGS – THE CREATURES IN THE GARDEN OF LADY WALTON (BRASSLAND)
17. THESE FEATHERS HAVE PLUMES – CORVIDAE (TARTARUGA)
18. MASSIVE ATTACK – HELIGOLAND (VIRGIN)
19. GORILLAZ – PLASTIC BEACH (PARLOPHONE)
20. BRUCE SPRINGSTEEN – THE PROMISE (COLUMBIA)
I’m going to be away from my computer for a week so there’s going to be nothing doing re: the review pile for that period. I have got the backlog down to a dozen or so things.
One or two things I like:
Jamie Woon’s new single “Night Air” is one of the best songs I’ve heard in a long while. It’s a kind of mix between an R&B/pop tune and something far darker and ghostly. It’s a good song – definitely daytime radio material, but underneath there is something quite different going on with a haunted guitar strum and all manner of half-buried murmurings. It wasn’t really a surprise to learn that he’s a mate of Burial’s. There’s definitely that hallmark.
It’s been around a while, but James Blake’s CMYK still does the business for me.
Mary Anne Hobbs has her final show on Radio One on Thursday 9th. Let’s hope they fill the slot with something leftfield and forward thinking. She’ll be missed. She has a very special guest on her final show whose identity is shrouded in secrecy. Pure speculation on my part. But maybe it’s this chap (not Four Tet):
I can’t think who else she would be so mysterious about.
Only some magazines publish a six monthly figure, the rest (who are registered with ABC that is) do it once a year. For the seven I have, the data is as follows:
Circulation for the six months ending June 2010
Classic Rock 70,323 (Dec 2009: 71,242, Jul 2009: 70,310) 12 month change +0.0%
Kerrang! 44,013 (Dec 2009: 41,125, Jul 2009: 43,253) 12 month change +1.8%
Metal Hammer 44,034 (Dec 2009: 41,777, Jul 2009: 46,004) 12 month change -4.3%
Mojo 91,678 (Dec 2009: 98,484, Jul 2009: 97,722) 12 month change -6.2%
NME 33,875 (Dec 2009: 38,846, Jul 2009: 40,984) 12 month change -17.3%
Q 89,450 (Dec 2009: 94,811, Jul 2009: 100,172) 12 month change -10.7%
Uncut 74,067 (Dec 2009: 75,518, Jul 2009: 76,526) 12 month change -3.2%
So, the metal mags are doing OK. Kerrang! has bounced back a bit after a couple of years of steep decline. Mojo and Uncut are drifting while Q continues its inexorable fall (it was selling more than 200,000 copies an issue 9 years ago)
The big story is NME. I thought the relaunch was a move in the right direction – more actual writing and a wider focus away from its indie rock staple. But the circulation figures are horrendous. They’ve halved in three years! It can only be a matter of months before IPC put it out of its misery at this rate.
The relaunch was needed. It was desperately poor before. As an outlet for music news it could never compete with the web, so more in depth pieces was the way to go. But I think that just drove away more of its low-attention span indie obsessed readers while failing to re-attract many of those who’d already given up on it. It looks like there’s no way back now and a web-only future beckons.
Record Mirror, Sounds, Melody Maker – all gone. The heyday of the music weeklies is now just a sentimental memory for those of us old enough to remember it.
Got a few done – I’ll try and have another big bash at the pile next weekend
The Mercury Music Prize shortlist was total pants.
Some enterprising chaps have come up with an alternative, the Uranus Music Prize, which they intend to announce the same day. I have to admit to having heard just one record from their shortlist (Autechre), but it looks a damn sight more interesting than its corporate cousin. They should be encouraged to do this as a regular thing.
It’s been long promised. Now it’s gonna happen. It’s pissing down anyway, so I’m hardly about to be lured outside.
Because I’ve been distracted by other things, the pile has been building up with some things sitting around in my in box from as far back as June. I have totted up around 20 albums and eps. Some I’ve played, some I’ve yet to. I’ll get through as many as I can over the next 48 hours.
Wish me luck!