Gig: Earth / Sir Richard Bishop (Stereo, Glasgow, 9/2/08)

I primarily came for Bish, so in that respect I wasn’t disappointed. He played four fairly lengthy tunes, utilising elements of bluegrass, raga and plain old rock & roll. The final track, accompanied by an eastern drone, was particularly good. Live and electric, some of the intricacies of his acoustic material were lost, but it was still very effective. His guitar playing is loose, bordering on the slapdash, at times, but at others he comes across like the bastard love child of Davy Graham and John Fahey (as biologically impossible as that may be). He can be that good.

Earth. Hmm. The snail’s pace was expected – nobody goes to an Earth show to go mental in the moshpit. What I didn’t expect was the polite and anaemic sound. I thought there would be some physical force coming through, but there was just dreary, turgid and aimless noodling. Early Swans were slow but had a visceral, in-your-face, confrontational power. Codeine were slow but had tunes. Tonight, Earth were slow and had…nothing. It was one of the dullest fifty minutes I’ve ever spent. It was comical to see some audience members visibly yawning through the tunes and then go apeshit when they ended. Tiresome.

Albums of the year: #14

SIR RICHARD BISHOP: Polytheistic Fragments

Former Sun City Girl Richard Bishop released two albums this year. While My Guitar Violently Bleeds is a collection of three lengthy tracks and currently sits on my ‘wanted’ list. Polytheistic Fragments, with one exception, concentrates on shorter pieces and contains a wilfully eclectic jumble of styles that gel surprisingly well. The eleven (predominantly) guitar instrumentals veer from blues to surf, rock, folk and raga. It must have been a lot of fun to play – it’s certainly a lot of fun to listen to, and sounds fresh every play.

Album: SIR RICHARD BISHOP – Polytheistic Fragments (Drag City DC349CD 2007)

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The first impression that Polytheistic Fragments leaves is one of a kind of smug grandstanding. It’s an album of guitar-dominated instrumentals that takes diversity and eclecticism to a degree that threatens to collapse into an incoherent display of advanced dilettantism. Former Sun City Girl Bishop (they split earlier this year after the death of Charles Gocher) has an extensive back catalogue, but nothing is quite as stylistically jumbled as this.

After further listens, the individual characters of the pieces begin to assert themselves. The flamenco touches of “Cross My Palm With Silver” and “Rub Al Khali” are quite different, with the latter infused with a Moor-ish vibe and some stunningly dextrous playing. These contrast with the suspended electric space blues of “Hecates Dream” and the atonal twelve string strummings of “Free Masonic Guitar”. “Quiescent Return” is a folkish classical guitar piece played fairly straight.

Three of the eleven tracks are two minute long vignettes, such as “Tennessee Porch Swing” which sounds like a tribute to John Fahey’s Blind Joe Death persona. The only lengthy piece, and the highlight of the collection, is the eleven minute “Saraswati” – a stately piano instrumental built over an Indian drone background. It is a mesmerising and hauntingly beautiful piece. By the time track ten swings by, you’re ready to expect anything. Even so, a surf instrumental! “Canned Goods And Firearms” is more than just a novelty nod in the direction of Dick Dale, though, and has a brilliant jazz-like improvisation built over a standard four note ‘oompah’ surf beat. “Ecstasies In The Open Air” brings proceedings to a close – an engagingly sweet flute and guitar lullaby.

I’ve had this in the pile for a while now, and I’m glad I waited before I wrote about it. Polytheistic Fragments is one of those records that reveal their genius slowly. Its wilful eclecticism is part of its charm – that sense of unfettered, even naïve, adventure. The more I play it, the more I love the pure joy it exudes.

Tracks
1 Cross My Palm with Silver 4:02
2 Hecates Dream 3:21
3 Elysium Number Five 2:02
4 Rub’ al Khali 4:05
5 Free Masonic Guitar 4:58
6 Cemetery Games 1:53
7 Quiescent Return 2:48
8 Saraswati 10:48
9 Tennessee Porch Swing 1:57
10 Canned Goods & Firearms 5:15
11 Ecstasies in the Open Air 4:13

Website
http://www.sirrichardbishop.net/